TY  - BOOK
AU  - Lupacchini,Rossella
AU  - Angelini,Annarita
ED  - SpringerLink (Online service)
TI  - The Art of Science: From Perspective Drawing to Quantum Randomness 
SN  - 9783319021119
AV  - NX180.M33 
U1  - 519 23
PY  - 2014///
CY  - Cham
PB  - Springer International Publishing, Imprint: Springer
KW  - mathematics
KW  - Science
KW  - Philosophy
KW  - Quantum theory
KW  - Humanities
KW  - Mathematics
KW  - Mathematics in Art and Architecture
KW  - History and Philosophical Foundations of Physics
KW  - History of Mathematical Sciences
KW  - Cultural Heritage
KW  - Philosophy of Science
KW  - Quantum Physics
N1  - From Perspective Drawing to the Eighth Dimension -- Seeing Reality in Perspective: The “Art of Optics” and the “Science of Painting” -- The Role of Perspective in the Transformation of European Culture -- Visual Differential Geometry and Beltrami’s Hyperbolic Plane.- All Done by Mirrors: Symmetries, Quaternions, Spinors, and Clifford Algebras -- Artists & Gamblers on the Way to Quantum Physics -- Radices Sophisticae, Racines Imaginaires: The Origins of Complex Numbers in the Late Renaissance -- Random, Complex, and Quantum
N2  - Like linear perspective, complex numbers and probability are notable discoveries of the Renaissance. History has been quick to recognize the crucial impact of linear perspective on painting, but reluctant to acknowledge the importance of complex numbers and probability. Both were treated with a great deal of suspicion by the scientific establishment and overlooked for many years. It was only in the twentieth century, when quantum theory defined the notion of "complex probability amplitude", that complex numbers merged with probability and transformed the image of the physical world. From a theoretical point of view, however, the space opened to painting by linear perspective and the space opened to science by complex numbers are equally valuable and share significant characteristics. By exploring that common ground, The Art of Science will lead the reader to complement Leonardo’s vision of painting as a science and to see science as an art. Its aim is to restore a visual dimension to mathematical sciences – an element dulled, if not obscured, by historians, philosophers, and scientists themselves
UR  - http://dx.doi.org/10.1007/978-3-319-02111-9
ER  -