Древнегреческая трагедия как источник спекулятивного мышления Е. А. Найман
Material type:
ArticleSubject(s): Гегель, Георг Вильгельм Фридрих 1770-1831 | Шеллинг, Фридрих Вильгельм Йозеф фон 1775-1854 | Аристотель 384-322 до н. э | древнегреческие трагедии | спекулятивное мышление | мимезис | катарсис | диалектикаGenre/Form: статьи в журналах Online resources: Click here to access online
In:
Schole. Философское антиковедение и классическая традиция Т. 9, вып. 2. С. 331-338Abstract: This article focuses on the role of the ancient Greek tragedy in the formation of aspeculative philosophy. The author argues that the tragedy model is a prototype for theSchelling’s and Hegel’s speculative metaphysics. Its dialectical structure acts as the general
means of resolving the philosophical contradictions between dogmatism and criticism, freedom
and necessity, the subjective and the objective. The speculative system restored the identity
of freedom and necessity through conflict. The comparative analysys of the idealistic
“philosophical tragedy” and ancient Greek tragedy revealed their deep internal relationship.
Based on Szondi, Lacoue-Labarthe and Bataille, the author argues that the speculative tragedy,
based on the principles of Aristotle’s theory of catharsis, and the mimetic nature of dialectical
thinking are closely linked with the poetics of the tragic action, recreating the ritual
forms of sacrifice.
Библиогр.: с. 338
This article focuses on the role of the ancient Greek tragedy in the formation of aspeculative philosophy. The author argues that the tragedy model is a prototype for theSchelling’s and Hegel’s speculative metaphysics. Its dialectical structure acts as the general
means of resolving the philosophical contradictions between dogmatism and criticism, freedom
and necessity, the subjective and the objective. The speculative system restored the identity
of freedom and necessity through conflict. The comparative analysys of the idealistic
“philosophical tragedy” and ancient Greek tragedy revealed their deep internal relationship.
Based on Szondi, Lacoue-Labarthe and Bataille, the author argues that the speculative tragedy,
based on the principles of Aristotle’s theory of catharsis, and the mimetic nature of dialectical
thinking are closely linked with the poetics of the tragic action, recreating the ritual
forms of sacrifice.
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